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The Study and Applications of Spatial Audio
Program Themes
The spatial location of sound is as important as pitch and rhythm. Experiments with "Spatial Music" have informed composition since the early nineteen-hundreds. But today, 21st century technologies for audio recording, production, and playback have revived an interest in surround...
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Talent
Composer, violinist, and computer music researcher Charles Nichols (www.charlesnichols.com) explores the expressive potential of instrumental ensembles, computer music systems, and combinations of the two, for the concert stage, and collaborations with dance, video, and installation...
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Professor, Virginia Tech
Eric Lyon’s work focuses on articulated noise, chaos music, spatial orchestration, and computer chamber music. His software includes FFTease and LyonPotpourri, collections of externals for Max/MSP and Pd. He authored “Designing Audio Objects for Max/MSP and Pd,” and more recently...
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Mike Roan holds a PhD, and MS in Acoustics and a BS in Physics from the Pennsylvania State University. He is currently the John R. Jones III faculty fellow with the Mechanical Engineering Department at Virginia Tech working in the areas of immersive audio, psychoacoustics, and digital...
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Tanner Upthegrove holds undergraduate degrees in Recording Arts and Business from Full Sail University and is pursuing a MFA in Theatre: Spatial Audio at Virginia Tech. Tanner joined Virginia Tech's Institute for Creativity, Arts, and Technology in 2013 as audiovisual design and technology...
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Program Partners
A university-level research institute sitting at the nexus of the arts, design, engineering, and science, the
Institute for Creativity, Arts, and Technology is uniquely partnered within Virginia Tech’s Moss Arts Center. By forging a pathway between transdisciplinary research and art, educational innovation, and scientific and commercial discovery, the institute works to foster the creative process to create new possibilities for explora...
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